Human Avatars, a multimedia installation created by Andrea Zapp with the Vini Reilly's music, plays on two classic levels: the real and the virtual. The visitors have to walk through the installation's space, discovering a small wood cabin, which they are asked to enter. Once inside, the bodies are shot and projected into a scaled down model of the same cabin. Peeking through a small window the visitors can look at the movements of their own projections and at others made by other persons. The crossed game of shooting and projecting pushes everybody to have a visual contact with a different 'self', that could equally be a real person or his own avatar, assuming the role of a spy and, unconsciously, of a person kept under surveillance. Despite the architectures and the scenario are friendly and accessible, the interactive experience immediacy remains pending and ambiguous. Probably one of the inhibiting elements is the same interactive fulcrum. The eye and its artificial replacement often carry uneasiness, because they are connected to the surveillance and control feeling. Furthermore, in this case, the holistic lyricism, made by the consciousness raising of one's own being in the world is suffocated by the voyer's sense of guilt. This role is evidently assumed by the observer, enhanced because it's not a hidden spying activity, but an a vile act, made for all the world to see.
Francesca Tomassini