. media culture
art . privacy . visual
The process of getting used to being constantly watched and monitored by webcams, social networks and unscrupulous invaders of our privacy has certainly had an effect on our expressions and movements. Our everyday gestures have necessarily taken on an artificial quality due to the feeling of always being observed. In Stolen Moments, Yasmine Chatila uses the very same mechanism - a hidden camera stealing moments of private life within New York apartments - in order to subvert this process. Acting as a nocturnal human webcam, the photographer waited from strategic positions for the windows of New York City to become portrait frames, deprived of the rigid everyday burden of the "observed". The result is a urban noir poem, made of nocturnal actions, intimate and elusive, free from "the armour we all wear outside the sanctity of home". The beauty and rarity of natural gestures are celebrated by a careful post-production, which carries this photographic reality show to an imaginary space: the outlines of the subjects, also to protect their anonymity, are grainy and smoky; the external architecture, the windows / frames, does not match the photographed scene. A building in the City Hall has a window that belongs to Chinatown, like an expressionist set, which raises the vulnerability and simplicity of natural gestures to the rank of authentic human show.
Chiara Ciociola
email this | + facebook | + twitter | TrackBacks (0)
Stolen Moments, a human webcam in New York
The process of getting used to being constantly watched and monitored by webcams, social networks and unscrupulous invaders of our privacy has certainly had an effect on our expressions and movements. Our everyday gestures have necessarily taken on an artificial quality due to the feeling of always being observed. In Stolen Moments, Yasmine Chatila uses the very same mechanism - a hidden camera stealing moments of private life within New York apartments - in order to subvert this process. Acting as a nocturnal human webcam, the photographer waited from strategic positions for the windows of New York City to become portrait frames, deprived of the rigid everyday burden of the "observed". The result is a urban noir poem, made of nocturnal actions, intimate and elusive, free from "the armour we all wear outside the sanctity of home". The beauty and rarity of natural gestures are celebrated by a careful post-production, which carries this photographic reality show to an imaginary space: the outlines of the subjects, also to protect their anonymity, are grainy and smoky; the external architecture, the windows / frames, does not match the photographed scene. A building in the City Hall has a window that belongs to Chinatown, like an expressionist set, which raises the vulnerability and simplicity of natural gestures to the rank of authentic human show.
Chiara Ciociola
email this | + facebook | + twitter | TrackBacks (0)
« edited by Cornelia Lund, Holger Lund - Audio.Visual: On Visual and Related Media | Main | links for 2010-02-20 »
. random from the bookshop

edited by: Alessandro Ludovico, Nat Muller
Open Mute
ISBN 9780955479656
. legal
Neural, registered in the Bari Court 3728/2009

This weblog is licensed under a
Creative Commons License.
This weblog is licensed under a
Creative Commons License.
. extra services
. printed magazine
Subscribe 1 year / 3 issues + extra: only 34.90 Euro (EU)
Current Issue | Back Issues | Stores
Subscribe 1 year / 3 issues + extra: only 34.90 Euro (EU)Current Issue | Back Issues | Stores


