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      <title>Neural.it :: media culture, hacktivism</title>
      <link>http://www.neural.it/art/</link>
      <description></description>
      <language>en</language>
      <copyright>Copyright 2012</copyright>
      <lastBuildDate>Wed, 08 Feb 2012 13:35:42 +0100</lastBuildDate>
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            <item>
         <title>Zwischenräume, the deviant surveillance</title>
         <description><![CDATA[<img alt="Zwischenräume, Petra Gemeinboeck, Rob Saunders, art, surveillance, Valentina Culatti, Zwischenraume.jpg" src="http://www.neural.it/art/images7/Zwischenraume.jpg" width="170" height="120" align="left"/>
We generally think of surveillance as a detached gaze, a remote form of watching. The fact that cameras record information continuously and unobtrusively somehow makes their presence elusive. And the idea of data being analyzed only when needed makes these devices feel innocuous. However the gaze of surveillance is always directed and motivated by human desires - it is a form of voyeurism. What ]]></description>
         <link>http://www.neural.it/art/2012/02/zwischenraeume_the_deviant_sur.phtml</link>
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         <category>art</category>
         <pubDate>Wed, 08 Feb 2012 13:35:42 +0100</pubDate>
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            <item>
         <title>edited by Luís Costa &amp; Rui Costa,  Three Years in Nodar: Context-Specific Art Practices in Rural Portugal</title>
         <description><![CDATA[<img alt="tre_anos_in_nodar.jpg" src="http://www.neural.it/art/images7/tre_anos_in_nodar.jpg" width="121" height="170" align="left"/>
<b> book+2CD , Edições Nodar,  315 pages , Nodar 003,  ISBN 978-9899720503</b><br>
This thick book, coming with two CDs, is the outcome of a three-year program of international sound art residencies made by twin brothers who have here focused on their Portuguese hometown - Nodar. Forty sound artists were involved in reading, watching and listening to the documentation of the respective projects.  In the several hundred color pages of the catalogue the reader can be temporary
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         <link>http://www.neural.it/art/2012/02/edited_by_luis_costa_rui_costa.phtml</link>
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         <category>book</category>
         <pubDate>Mon, 06 Feb 2012 09:46:57 +0100</pubDate>
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            <item>
         <title>The Deleted City, social web archeology</title>
         <description><![CDATA[<img alt="Chiara Ciociola, Richard Vijgen, Deleted City, deleted_city.jpg" src="http://www.neural.it/art/images7/deleted_city.jpg" width="170" height="120" align="left"/>
The project of Richard Vijgen <a href="http://deletedcity.net/" target="_blank">Deleted City</a> is an interactive data visualization of the myriad of data hosted on the free web hosting Geocities, that was very popular at the dawn of the commercial web. The city was the successful metaphor that characterized this site: the users could easily create their own Web pages and click on the "city" in which they preferred to live based on the type of content ]]></description>
         <link>http://www.neural.it/art/2012/01/the_deleted_city_social_web_ar.phtml</link>
         <guid>http://www.neural.it/art/2012/01/the_deleted_city_social_web_ar.phtml</guid>
         <category>art</category>
         <pubDate>Mon, 30 Jan 2012 20:35:47 +0100</pubDate>
      </item>
            <item>
         <title>Stephen Jones , Synthetics: Aspects of Art and Technology in Australia, 1956-1975</title>
         <description><![CDATA[<img alt="Stephen Jones , The MIT Press , English,  464 pp.,  ISBN 978-0262014960, synthetics.jpg" src="http://www.neural.it/art/images7/synthetics.jpg" width="133" height="170" align="left"/>
<b> The MIT Press , English,  464 pp.,  ISBN 978-0262014960</b><br>
This book is a small gem among the many dealing with the history of media art. Stephen Jones has undertaken an excellent and extensive research project, digging not only into his valuable personal archive of Australian media art (patiently assembled over decades) but also sifting through public libraries and private collections. This is neither a dispassionate nor pretentious academic work. It is, ]]></description>
         <link>http://www.neural.it/art/2012/01/stephen_jones_synthetics_aspec.phtml</link>
         <guid>http://www.neural.it/art/2012/01/stephen_jones_synthetics_aspec.phtml</guid>
         <category>book</category>
         <pubDate>Fri, 27 Jan 2012 12:11:34 +0100</pubDate>
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            <item>
         <title>Versus, sounding dialogues</title>
         <description><![CDATA[<img alt="David Letellier, neural, chiara ciociola, versus_David_Letellier.jpg" src="http://www.neural.it/art/images7/versus_David_Letellier.jpg" width="170" height="120" align="left"/>

 <a href="http://www.davidletellier.net/works.html#versus" target="_blank">Versus</a> is a kinetic sound installation by David Letellier. Its functioning is characterized by an interactive dialogic mechanism. There are two kinetic sculptures that are interdependent and they have to be face to face to make sense. Each sculpture is made out of 12 triangular panels, joining at the center in a flower-like shape with actuators to allow slow movement. In the center of this singular "corolla" there's ]]></description>
         <link>http://www.neural.it/art/2012/01/versus_sounding_dialogues.phtml</link>
         <guid>http://www.neural.it/art/2012/01/versus_sounding_dialogues.phtml</guid>
         <category>art</category>
         <pubDate>Wed, 25 Jan 2012 17:49:54 +0100</pubDate>
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            <item>
         <title>Leah Lievrouw, Alternative and Activist New Media</title>
         <description><![CDATA[<img alt="alternative_and_activist_newmedia.jpg" src="http://www.neural.it/art/images7/alternative_and_activist_newmedia.jpg" width="121" height="170" align="left"/>
<b>Polity Press, 200 pages, 2011, English, ISBN-13: 978-0745641843</b><br>
Defining new media has always been tricky. Here, the author gives a clear and thorough definition of new media based on three components: the device/artifact which enables the ability to communicate, the communication activity/practice, and the social arrangements and organizational forms created around the artifact and the practice. This is a strong base that, coupled with an explicit reference to ]]></description>
         <link>http://www.neural.it/art/2012/01/leah_lievrouw_alternative_and.phtml</link>
         <guid>http://www.neural.it/art/2012/01/leah_lievrouw_alternative_and.phtml</guid>
         <category>book</category>
         <pubDate>Mon, 23 Jan 2012 10:13:34 +0100</pubDate>
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            <item>
         <title>On Spam, business proposal - urban spam tag</title>
         <description><![CDATA[<img alt="On Spam, Niels Post, on_spam.jpg" src="http://www.neural.it/art/images7/on_spam.jpg" width="170" height="120"  align="left"/>
With the work  <a href="http://www.nielspost.nl/on-spam-business-proposals-brussels/" target="_blank">"On Spam, Business Proposal"</a> Niels Post documents the urban intervention he acted in Brussels with a photographs series . For this action the artist has selected some of the most effective phrases contained in the commercial spam messages, the ones that claim incredible and superfast chances for personal gain. He printed these on adhesive vinyl, sticking them on the windows of ]]></description>
         <link>http://www.neural.it/art/2012/01/on_spam_business_proposal_urba.phtml</link>
         <guid>http://www.neural.it/art/2012/01/on_spam_business_proposal_urba.phtml</guid>
         <category>art</category>
         <pubDate>Fri, 20 Jan 2012 11:49:28 +0100</pubDate>
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            <item>
         <title>Joanna Demers Listening through the Noise: The Aesthetics of Experimental Electronic Music</title>
         <description><![CDATA[<img alt="216 pages, Oxford University Press, 2010, English, ISBN-13: 978-0195387667, listening_through_the_noise.jpg" src="http://www.neural.it/art/images7/listening_through_the_noise.jpg" width="112" height="170" align="left"/>
<b>216 pages, Oxford University Press, 2010, English, ISBN-13: 978-0195387667</b><br>
The stated purpose of Demers in this book is to find a unifying (strictly speaking) aesthetics for electronic music, despite the very different ideologies the different genres come from. Although the task would seem too vast, she restricts the timespan considered from the 1980s onwards. 1980 has been chosen because it represents a pivotal moment for democratization of electronic music ]]></description>
         <link>http://www.neural.it/art/2012/01/joanna_demers_listening_throug.phtml</link>
         <guid>http://www.neural.it/art/2012/01/joanna_demers_listening_throug.phtml</guid>
         <category>book</category>
         <pubDate>Wed, 11 Jan 2012 11:42:27 +0100</pubDate>
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            <item>
         <title>Solar Sinter, solar way of thinking</title>
         <description><![CDATA[<img alt="Markus Kayser, sun sinter, Daphne Dragona, solar_sinter.jpg" src="http://www.neural.it/art/images7/solar_sinter.jpg" width="170" height="120" align="left"/>

Ongoing diminution of natural resources and the urgent need to adopt more sustainabile practices are undoubtedly among the most crucial matters for the world today. As awareness increases, more and more young creators are engaging with this topic, taking a critical and active stance by building prototypes and actual alternatives. Markus Kayser is such an example; a young industrial designer 

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         <link>http://www.neural.it/art/2012/01/solar_sinter_solar_way_of_thin.phtml</link>
         <guid>http://www.neural.it/art/2012/01/solar_sinter_solar_way_of_thin.phtml</guid>
         <category>activism</category>
         <pubDate>Tue, 03 Jan 2012 13:50:21 +0100</pubDate>
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            <item>
         <title>R. Klanten, M. Hubner, Alain Bieber Art &amp; Agenda, Political Art and Activism</title>
         <description><![CDATA[<img alt="ISBN 978-3899553420, 288 pages, 2011, English, Gestalten, art_agenda.jpg" src="http://www.neural.it/art/images7/art_agenda.jpg" width="137" height="170" align="left"/>
<b>ISBN: 978-3899553420, 288 pages, 2011, English, Gestalten</b><br>
"Activism" in art has become a fashionable topic, especially after the beginning of the global financial crisis.  Critiquing the system, formalizing regrets about the past and expressing fears about an uncertain future have become daily topics for major media. Artists are now also reflecting these feelings (maybe even more than during the sixties and seventies) with an abundance of creativity, ]]></description>
         <link>http://www.neural.it/art/2011/12/r_klanten_m_hubner_alain_biebe.phtml</link>
         <guid>http://www.neural.it/art/2011/12/r_klanten_m_hubner_alain_biebe.phtml</guid>
         <category>book</category>
         <pubDate>Wed, 28 Dec 2011 13:22:24 +0100</pubDate>
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            <item>
         <title>A Piano Listening To Itself, inducing Chopin in chords</title>
         <description><![CDATA[<img alt="A Piano Listening To Itself, Chopin Chord, Gordon Monahan, piano_listening_to_itself.jpg" src="http://www.neural.it/art/images6/piano_listening_to_itself.jpg" width="170" height="120" align="left"/>
Moving across two and a half decades from the windy north Atlantic coast of Canada to the center of Warsaw, the large-scale Aeolian instruments of Gordon Monahan form a temporal bridge between the Fluxus-propelled experimental music of the sixties and seventies and contemporary sound art production. Taking the former’s deconstruction of musical heritage and combining it with an approach ]]></description>
         <link>http://www.neural.it/art/2011/12/a_piano_listening_to_itself_ch.phtml</link>
         <guid>http://www.neural.it/art/2011/12/a_piano_listening_to_itself_ch.phtml</guid>
         <category>sound art</category>
         <pubDate>Tue, 20 Dec 2011 12:17:27 +0100</pubDate>
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            <item>
         <title>Antidatamining BOT, financial kamikaze</title>
         <description><![CDATA[<img alt="Antidatamining BOT, RYBN collective, antidatamining_bot.jpg" src="http://www.neural.it/art/images7/antidatamining_bot.jpg" width="170" height="120" align="left"/>

Since 2006, the RYBN collective has been using the tools of data mining (automated extraction of knowledge from large amounts of data) to subvert its own goals, building unusual representations and analyses of financial and social mechanisms. The project <a href="http://antidatamining.net/" target="_blank">Antidatamining</a> includes works such as "Flashcrash sonification", a graphic and sound representation of the 20-minute stock market crash ]]></description>
         <link>http://www.neural.it/art/2011/12/antidatamining_bot_financial_k.phtml</link>
         <guid>http://www.neural.it/art/2011/12/antidatamining_bot_financial_k.phtml</guid>
         <category>art</category>
         <pubDate>Wed, 14 Dec 2011 16:00:34 +0100</pubDate>
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            <item>
         <title>edited by Margit Rosen  - A Little-Known Story about a Movement, a Magazine, and the Computer&apos;s Arrival in Art: New Tendencies and Bit International, 1961—1973</title>
         <description><![CDATA[<img alt="576 pages,  The MIT Press , 2011,  English,  ISBN: 978-0262515818, a_little_known_story.jpg" src="http://www.neural.it/art/images7/a_little_known_story.jpg" width="135" height="170"  align="left"/>
<b>576 pages,  The MIT Press , 2011,  English,  ISBN: 978-0262515818</b><br>
In the history of media art, Zagreb has definitively been on the map since the very beginning. In 1961 there was a seminal movement called "New Tendencies", which officially started with a pioneering exhibition curated by Matko Mestrovic at the Museum of Contemporary Art. This international group of (self-defined) researchers were investigating how emerging computer technologies could be used to ]]></description>
         <link>http://www.neural.it/art/2011/12/edited_by_margit_rosen_a_littl.phtml</link>
         <guid>http://www.neural.it/art/2011/12/edited_by_margit_rosen_a_littl.phtml</guid>
         <category>book</category>
         <pubDate>Sun, 11 Dec 2011 15:56:54 +0100</pubDate>
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            <item>
         <title>Occupy George, talking dollars</title>
         <description><![CDATA[<img alt="Occupy George, Chiara Ciociola, occupy_george.jpg" src="http://www.neural.it/art/images7/occupy_george.jpg" width="170" height="120" align="left"/>
Printing on (real) one dollar bills (the ones with George Washington) enjoyable and graphically concrete data concerning the distribution of wealth in the United States: this is the premise of  <a href="http://occupygeorge.com/" target="_blank">Occupy George</a>, a performance created in the wake of the many growing participatory movements born out of the original "Occupy Wall Street." The notes, constituting medium and message with an incisiveness that ]]></description>
         <link>http://www.neural.it/art/2011/12/occupy_george_talking_dollars.phtml</link>
         <guid>http://www.neural.it/art/2011/12/occupy_george_talking_dollars.phtml</guid>
         <category>hacktivism</category>
         <pubDate>Wed, 07 Dec 2011 17:03:50 +0100</pubDate>
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         <title>Neural 40, The Generative Unexpected</title>
         <description><![CDATA[<img alt="cover, neural 40, The Generative Unexpected, cover_neural_40.jpg" src="http://www.neural.it/art/images7/cover_neural_40.jpg" width="166" height="217"  align="left" />
The new Neural issue is out.<br>
<a href="http://www.neural.it/subscribe.phtml"> Subscribe now</a>! because only the first 50 subscribers will get the  <a href="http://www.neural.it/art/2011/11/neural_40_extra_12_p2p_credit.phtml" target="_blank">‘P2P Gift Credit Card’</a>, by Paolo Cirio ---SOLD OUT--- and the new exclusive  <a href="http://www.neural.it/art/2011/11/neural_40_extra_12_new_exclusi.phtml" target="_blank">Newstweek flyer</a> by Julian Oliver and Danja Vasiliev. <a href="http://" target="_blank">  </a><br>
You can also buy the magazine from the <a href="http://www.neural.it/stores.phtml" target="new">closest of the almost 200 stores</a> stocking it. A <a href="http://www.neural.it/art/2006/01/neural_back_issues.phtml" target="new">back issues pack</a> is available.<br>

]]></description>
         <link>http://www.neural.it/art/2011/11/neural_40_the_generative_unexp.phtml</link>
         <guid>http://www.neural.it/art/2011/11/neural_40_the_generative_unexp.phtml</guid>
         <category>neural</category>
         <pubDate>Wed, 30 Nov 2011 12:37:31 +0100</pubDate>
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