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      <title>Neural.it :: media culture, hacktivism</title>
      <link>http://www.neural.it/art/</link>
      <description></description>
      <language>en</language>
      <copyright>Copyright 2013</copyright>
      <lastBuildDate>Wed, 24 Apr 2013 11:07:57 +0100</lastBuildDate>
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            <item>
         <title>AAVV - Sound Exchange, Experimental Music Cultures In Central And Eastern Europe</title>
         <description><![CDATA[<img alt="AAVV, Sound Exchange, Experimental Music Cultures In Central And Eastern Europe, Carsten Seiffarth, Carsten Stabenow, Golo Föllmer, experimental music, Budapest, Bratislava, Praga, Cracovia, Riga, Vilnius, Tallinn, audio art, blog, soundexchange.jpg" src="http://www.neural.it/art/images5/soundexchange.jpg" width="130" height="184" align="left" /><b>edited by: Carsten Seiffarth, Carsten Stabenow, Golo Föllmer - PFAU Verlag, ISBN 978-3897274877, 416 pages, 2012, German, English</b><br>
There was a long tradition of dismissing and repressing experimental music in Central and Eastern Europe during socialist times. And even after 1989 the West didn't fully explore what was missed in those decisive few decades. This book begins the process of making up for lost time, bypassing the classic academic approach ]]></description>
         <link>http://www.neural.it/art/2013/04/aavv_sound_exchange_experiment.phtml</link>
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         <category>book</category>
         <pubDate>Wed, 24 Apr 2013 11:07:57 +0100</pubDate>
      </item>
            <item>
         <title>Random Selection In Random Image - Hypermateriality</title>
         <description><![CDATA[<img alt="Random Selection in Random Image, Hypermateriality, Jan Robert Leegte, digital, art, Flickr, photography, psychological phenomenon, media, reality, network, images,  RandomSelectionInRandomImage.jpg" src="http://www.neural.it/art/images5/RandomSelectionInRandomImage.jpg" width="128" height="199" align="left" /><b></b>
Jan Robert Leegte’s new works re-examine the hypermateriality of the digital domain. Educated as a sculptor and architect this Dutch artist has a unique approach to art in the context of the internet. His recent online work‚ <a href="http://www.randomselectioninrandomimage.com/">Random Selection in Random Image</a> pushes the boundaries of both the notion of creativity and of individual perception. Leegte has created a smart commentary on the]]></description>
         <link>http://www.neural.it/art/2013/04/random_selection_in_random_ima.phtml</link>
         <guid>http://www.neural.it/art/2013/04/random_selection_in_random_ima.phtml</guid>
         <category>media</category>
         <pubDate>Mon, 22 Apr 2013 10:21:45 +0100</pubDate>
      </item>
            <item>
         <title>Open Your City - Share Festival 2012 Report</title>
         <description><![CDATA[<img alt="Open Your City, Share Festival 2012 Report, Simona Lodi, Carlo Ratti, Bruce Sterling, Mirjam Struppek, Stanza, VR/Urban, Mariano Leotta, Simone Arcagni, Lorenzo Benussi, Martijn De Waal, Davide Gomba, Simona Lodi, Jaromil, Alan Shapiro, Bruce Sterling, Antoine Schmitt, Fabrizio Valpreda, Manifesto Smart City, new media art, policy, urban space, social network, open knowledge, makerspaces, open source, copyleft, peer to peer, user generated content, Open-Your-City---Share-Festival-2012-Report.jpg" src="http://www.neural.it/art/images5/Open-Your-City---Share-Festival-2012-Report.jpg" width="128" height="198" align="left"/><a href="http://www.flickr.com/photos/48831443@N00/sets/72157633233369931/with/8646015548/" target="_blank">Check the Open Your City - Share Festival 2012 Report photo set here.</a>
Reappropriation of urban space, visions about the city of the future and grassroots participation. These main themes of Share Festival 2012 were given expression in the edition’s title - Open Your City - an imperative formula suggestive of sharing spaces and services and stressing the need for active involvement in the process of technological and social transition. This year’s Share prize included six finalists connected]]></description>
         <link>http://www.neural.it/art/2013/04/open_your_city_share_festival.phtml</link>
         <guid>http://www.neural.it/art/2013/04/open_your_city_share_festival.phtml</guid>
         <category>festival</category>
         <pubDate>Mon, 15 Apr 2013 07:03:13 +0100</pubDate>
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            <item>
         <title>Acoustic Space #11 - Techno-Ecologies</title>
         <description><![CDATA[<img alt="Acoustic Space #11, Techno-Ecologies, magazine, peer-reviewed, Riga, Lettonia, Eric Kluitenber, techno-ecologia, David Rothenberg, deep technology, self-empowerment, Tatiana Goryucheva, Ojars Balcers, Cultura Experimentalis, Siegfried Zielinski, RIXC, media culture, new media, food traceability, techno-ecology concept, AcousticSpace11-_TechnoEcologies.jpg" src="http://www.neural.it/art/images5/AcousticSpace11-_TechnoEcologies.jpg" width="132" height="163" align="left" /><b>edited by Rasa Smite, Eric Kluitenberg and Raitis Smits - RIXC, The Centre for New Media Culture, ISSN: 1407-2858, 168 pages, 2012, English</b><br>
Acoustic Space is a journal founded in 1998 that for a few years now has functioned as a peer-reviewed journal, usually printed every year and coinciding with a festival on the same topic (including conferences and an exhibition), held in Riga (Latvia). The main theme of issue #11 (relating to the 2011 event) is shaped on Felix Guattari's]]></description>
         <link>http://www.neural.it/art/2013/04/acoustic_space_11_technoecolog.phtml</link>
         <guid>http://www.neural.it/art/2013/04/acoustic_space_11_technoecolog.phtml</guid>
         <category>book</category>
         <pubDate>Thu, 11 Apr 2013 11:56:53 +0100</pubDate>
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            <item>
         <title>Facebook Demetricator - De-quantifier Of Social Connections</title>
         <description><![CDATA[<img alt="Facebook Demetricator - De-quantifier Of Social Connections, de-quantifcatore, Connessioni Sociali, Facebook, social media, internet, friends, like, button, Ben Grosser, software, applicazione, Facebook-Demetricator---De-quantifier-Of-Social-Connections.jpg" src="http://www.neural.it/art/images5/Facebook-Demetricator---De-quantifier-Of-Social-Connections.jpg" width="128" height="189" align="left" /><b></b>
The reward-return system Facebook uses to entice users back to their profile to check for likes on posted photographs, comments on their status updates and peruse their ever-growing friend count creates an algorithm of addiction most users can testify to. Statistical number-crunching and manipulation of this data ]]></description>
         <link>http://www.neural.it/art/2013/04/facebook_demetricator_dequanti.phtml</link>
         <guid>http://www.neural.it/art/2013/04/facebook_demetricator_dequanti.phtml</guid>
         <category>media</category>
         <pubDate>Mon, 08 Apr 2013 11:02:11 +0100</pubDate>
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            <item>
         <title>Raffael Dörig - COMPILER 04</title>
         <description><![CDATA[<img alt="Raffael Dörig, COMPILER 04, magazine, audiovisual, art, sampling, cut-ups, social media, aesthetic reconceptualizations, Raffael-Dorig---COMPILER-04.jpg" src="http://www.neural.it/art/images5/Raffael-Dorig---COMPILER-04.jpg" width="127" height="173" align="left" />
<b>Replay Compiler / Tweaklab [booklet + DVD], ISBN 978-3952285930, 2012, English</b><br>
The fourth volume of Compiler is dedicated to the multiplicity of reuse practices in audiovisual artworks produced with digital tools, interfaces and paradigms. The development of this attitude was once the preserve of artists, though in the second half of the 00s social media and the phenomenon ]]></description>
         <link>http://www.neural.it/art/2013/04/raffael_doerig_compiler_04.phtml</link>
         <guid>http://www.neural.it/art/2013/04/raffael_doerig_compiler_04.phtml</guid>
         <category>magazine</category>
         <pubDate>Thu, 04 Apr 2013 10:23:00 +0100</pubDate>
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         <title>Pendulum Choir - Complex Polyphonies And Gravitational Force</title>
         <description><![CDATA[<img alt="Pendulum Choir, Complex Polyphonies And Gravitational Force, Cod.Act, André, Michel Décosterd, art, performance, technology, architecture, music, sounds, Neural, Pendulum-Choir,-Complex-Polyphonies-And-Gravitational-Force.jpg" src="http://www.neural.it/art/images5/Pendulum-Choir%2C-Complex-Polyphonies-And-Gravitational-Force.jpg" width="127" height="197" align="left" /><b></b>
Cod.Act's <a href="http://www.codact.ch/gb/pendugb.html">Pendulum Choir</a> explores the relationship between gravity, vocal movement in space and choral composition by placing a 9-piece choir on tilting, continuously moving platforms. A revolving, undulating hydraulic jack supports each singer. These movements have a direct physical impact on the singers, causing ]]></description>
         <link>http://www.neural.it/art/2013/04/pendulum_choir_complex_polypho.phtml</link>
         <guid>http://www.neural.it/art/2013/04/pendulum_choir_complex_polypho.phtml</guid>
         <category>performance</category>
         <pubDate>Wed, 03 Apr 2013 11:02:44 +0100</pubDate>
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            <item>
         <title>Jussi Parikka - What is Media Archaeology?</title>
         <description><![CDATA[<img alt="Jussi Parikka, What is Media Archaeology?, Polity, ISBN: 9780745650265, 200 pages, 2012, English, steampunk, digital culture, Neural, Jussi-Parikka---What-is-Media-Archaeology.jpg" src="http://www.neural.it/art/images5/Jussi-Parikka---What-is-Media-Archaeology.jpg" width="128" height="193" align="left" /><b>Polity, ISBN: 9780745650265, 200 pages, 2012, English </b><br>
To understand the "futuristic" present we live in it's very important to know our past. This seems particularly true when it comes to media culture. In fact it appears that the only feasible kind of time traveling is what is usually defined as "media archaeology", which allows us to re-create and use the same mediations on content that]]></description>
         <link>http://www.neural.it/art/2013/04/jussi_parikka_what_is_media_ar.phtml</link>
         <guid>http://www.neural.it/art/2013/04/jussi_parikka_what_is_media_ar.phtml</guid>
         <category>book</category>
         <pubDate>Tue, 02 Apr 2013 12:53:45 +0100</pubDate>
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         <title>Algae Opera - Nurturing Algae With Soprano&apos;s Voice</title>
         <description><![CDATA[<img alt="Algae Opera, Nurturing Algae With Soprano's Voice, Louise Ashcroft, Gameshow Outpatient, Samuel Lewis, Algae-Opera---Nurturing-Algae-With-SopranoVoice.jpg" src="http://www.neural.it/art/images5/Algae-Opera---Nurturing-Algae-With-SopranoVoice.jpg" width="127" height="179" align="left" /><b></b>
<a href="http://www.burtonnitta.co.uk/algaeopera.html">Algae Opera</a> is a work realized between Mezzo-Soprano Louise Ashcroft, composer Gameshow Outpatient and actor Samuel Lewis that uses a novel approach to cross-wire the sense of hearing and taste using algae. During a performance of this work CO2 gas which is extracted from the singers breath ]]></description>
         <link>http://www.neural.it/art/2013/03/algae_opera_nurturing_algae_wi.phtml</link>
         <guid>http://www.neural.it/art/2013/03/algae_opera_nurturing_algae_wi.phtml</guid>
         <category>performance</category>
         <pubDate>Fri, 29 Mar 2013 09:52:21 +0100</pubDate>
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            <item>
         <title>Jon Wozencroft, Neville Brody - Fuse 1-20: From Invention to Antimatter - Twenty Years of FUSE</title>
         <description><![CDATA[<img alt="Jon Wozencroft, Neville Brody, Fuse 1-20, From Invention to Antimatter, Twenty Years of FUSE, odes, religion, pornography, magazine, print, graphic design, tipography, Creative Review, information technology, Peter Saville, David Carson, Tomato collective, FUSE_NevilleBrody.jpg" src="http://www.neural.it/art/images5/FUSE_NevilleBrody.jpg" width="129" height="167" 
align="left" /><b>Taschen, ISBN: 978-3836525015, 416 pages, 2012, English</b><br>
In 1991 two of the most talented graphic designers of all time (Jon Wozencroft and Neville Brody) launched a unique experiment: FUSE, an annual publication packaged in a cardboard box that contained a printed zine with articles relating to typography culture, a floppy disk with four fonts and four posters that utilized]]></description>
         <link>http://www.neural.it/art/2013/03/jon_wozencroft_neville_brody_f.phtml</link>
         <guid>http://www.neural.it/art/2013/03/jon_wozencroft_neville_brody_f.phtml</guid>
         <category>book</category>
         <pubDate>Tue, 26 Mar 2013 12:09:38 +0100</pubDate>
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         <title>The Decelerator - Real Slow Motion</title>
         <description><![CDATA[<img alt="The Decelerator, Real Slow Motion, Lorenz Potthast, art, visual, environment,  The-Decelerator-.jpg" src="http://www.neural.it/art/images5/The-Decelerator-.jpg" width="127" height="187" align="left" /><b></b>
"The decelerator" designed by German artist <a href="http://www.ciaokaesten.de/#"> Lorenz Potthast</a> is a helmet made with reflective metal, aiming to provide total detachment from reality. The helmet does not generate a virtual or augmented reality, but instead changes the temporal perception of what is happening outside: it gives the user a  "slow motion" ]]></description>
         <link>http://www.neural.it/art/2013/03/the_decelerator_real_slow_moti.phtml</link>
         <guid>http://www.neural.it/art/2013/03/the_decelerator_real_slow_moti.phtml</guid>
         <category>art</category>
         <pubDate>Mon, 25 Mar 2013 10:14:33 +0100</pubDate>
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            <item>
         <title>Fujiko Nakaya, Anne-Marie Duguet - Anarchive n°5: Fog</title>
         <description><![CDATA[<img alt="Fujiko Nakaya, Anne-Marie Duguet, Anarchive n°5, Fog, book, DVD-ROM, doubleNegatives, art, performance, video, portable archive, Anarchive.jpg" src="http://www.neural.it/art/images5/Anarchive.jpg" width="127" height="176" align="left" /><b>Brouillard Anarchive [book + DVD-rom + DVD], ISBN: 978-2951813229, English, Japanese, French</b><br>
In what format can a monograph be shaped in current times? It's an open question that deals with two main domains of problems: the content should be as complete as possible in every direction; and to prolong its intrinsic referential attitude, it should be accessible for as long as possible. This monograph ]]></description>
         <link>http://www.neural.it/art/2013/03/fujiko_nakaya_annemarie_duguet.phtml</link>
         <guid>http://www.neural.it/art/2013/03/fujiko_nakaya_annemarie_duguet.phtml</guid>
         <category>book</category>
         <pubDate>Fri, 22 Mar 2013 13:18:37 +0100</pubDate>
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            <item>
         <title>Tworse Key - A Twitter Telegraph</title>
         <description><![CDATA[<img alt="Tworse Key, A Twitter Telegraph, Martin Kaltenbrunner,  Samuel Morse,  Alfred Vail, HAM, art, network, hacking, digital languages, Arduino, Ethernet, steam-punk, futurism, Tworse-Key---A-Twitter-Telegraph.jpg" src="http://www.neural.it/art/images5/Tworse-Key---A-Twitter-Telegraph.jpg" width="127" height="189" align="left" /><b></b>
In recent decades, and perhaps nudged by the exponential growth of new technologies, media artists have demonstrated not only an increasing interest in the history of technology, but also with the non-synchronous merging of incongruous technologies in their artworks. Vintage futurism and ]]></description>
         <link>http://www.neural.it/art/2013/03/tworse_key_a_twitter_telegraph.phtml</link>
         <guid>http://www.neural.it/art/2013/03/tworse_key_a_twitter_telegraph.phtml</guid>
         <category>art</category>
         <pubDate>Wed, 20 Mar 2013 11:53:51 +0100</pubDate>
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            <item>
         <title>E. Gabriella Coleman - Coding Freedom: The Ethics and Aesthetics of Hacking </title>
         <description><![CDATA[<img alt="E. Gabriella Coleman, Coding Freedom, The Ethics and Aesthetics of Hacking, Princeton University Press, FLOSS, hacker, hacktivism, Debian, GNU, Linux, conferences, Cory Doctorow, code, E.-Gabriella-Coleman---Coding-Freedom.jpg" src="http://www.neural.it/art/images5/E.-Gabriella-Coleman---Coding-Freedom.jpg" width="127" height="191" align="left" />
<b>Princeton University Press, ISBN: 978-0691144610, 264 pages, 2012, English</b><br>
The whole ecosystem of hacking and FLOSS has rarely been considered by academic research, despite often being recognized as a terrific collective production. It has been considered more as a "tool" and not recognized as an important abstract "laboratory" of labour and freedom. Coleman focuses on hacker communities]]></description>
         <link>http://www.neural.it/art/2013/03/e_gabriella_coleman_coding_fre.phtml</link>
         <guid>http://www.neural.it/art/2013/03/e_gabriella_coleman_coding_fre.phtml</guid>
         <category>book</category>
         <pubDate>Tue, 19 Mar 2013 12:05:20 +0100</pubDate>
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         <title>Blind Smell Stick - Emotional Urban Nose</title>
         <description><![CDATA[<img alt="Blind Smell Stick - Emotional Urban Nose, Peter de Cupere, Chiara Ciociola, art. media, psychogeography, Blind-Smell-Stick.jpg" src="http://www.neural.it/art/images20/Blind-Smell-Stick.jpg" width="127" height="190" align="left" /><b></b>
Exploring the urban space with the nose: the work "<a href="http://www.blindsmellstick.com/index.php/blind-smell-stick-p1">Blind Smell Stick</a>" by Peter de Cupere invites us to rediscover the familiar spaces in which we live. The object created looks like an ordinary walking stick but functions like the nose of a guide dog for the blind. The lower part of the stick is able to pick up odours through ]]></description>
         <link>http://www.neural.it/art/2013/03/blind_smell_stick_emotional_ur.phtml</link>
         <guid>http://www.neural.it/art/2013/03/blind_smell_stick_emotional_ur.phtml</guid>
         <category>art</category>
         <pubDate>Fri, 15 Mar 2013 12:06:52 +0100</pubDate>
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