. media culture . privacy
art . privacy
Directory Of Fictitious Telephone Numbers - Impossible Transmissions
An aseptic space. One white table and on it a printed directory, accompanied by an apparently normal looking telephone. It would seem the right environment to make a call. And calls are, in fact, made. The phone operates automatically, dialling random numbers from the many listed in the phone book
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art . media . privacy
Pixelhead - Digital Mimesis
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art . hacktivism . interactive . privacy . surveillance
Paranoid Shelter, invisibly boxed
A high density of monitoring devices crowds the space of the installation "Paranoid Shelter", a project by the architecture research group fabric | ch. Despite the word "shelter" reminding of an atavistic sense of protection given by a closed and protected space, the skeletal appearance of the work is already alienating. The installation space is in fact occupied by three tall posts, dark and imposing, from which
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art . net . privacy
Poser, invading digital photo frames
In a very short time since they appeared, digital photo frames have become so popular that they now regularly invite aesthetic experimentation. In his recent project Poser, Constant Dullaart has offered an ironic view of this media. Slipping inside the device, the artist has designed some chroma keys of
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art . hacktivism . media . privacy
People Staring at Computers: the discreet gaze of the commodities
Kyle McDonald is well-known for exploring the boundaries of public and private space in our post-privacy world. With his Keytweeter he placed himself under digital surveillance for an entire year, capturing everything he typed with a keylogger and posting in on Twitter - 140 keystrokes at time. His most recent project gives another conceptual twist on spyware. 'People staring at
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art . privacy
My little piece of Privacy, mechanically stopping voyerism
Niklas Roy plays with the concept of privacy in his recent interactive installation My Little Piece of Privacy . To defend his laboratory in Berlin from prying eyes he has in fact dressed its largest window, which directly looks out onto the street, with a curtain. The very small size of this curtain, however,
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art . privacy . surveillance
Panopticons, surveillance birds
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art . privacy . psychogeography
Global Safari (Powered by Google), the formation of the world's image
"Images are meant to render the world accessible and imaginable to man" Villem Flusser wrote in his well-known 1983 book "Towards a Philosophy of Photography" which analyzed the transition from prehistoric, traditional images to posthistorical, technical ones. No longer formed by "authors", but by anyone who operates a camera or other apparatus, technical images have been opening windows to
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art . privacy
Desire of Codes, the tentacles of the surveillance beast
We're accustomed to being under surveillance. We've taken for granted that cameras are everywhere "for our own safety". And we don't care anymore of being recorded in the street 30, 60 or 100 times (or even more) everyday. How has it happened? One of the reasons is that all these cameras around us are "passive". They're there, they record their memory, then they delete
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art . media . mobile . privacy . psychogeography
Habitar - Bending the urban frame 2010 report from Laboral
Check the Habitar photo set here. Invisible Architectures: the curiosity generated by this paradox is the starting point of Habitar - Bending the urban frame, the new stage of the broader curatorial path taken by Mediateca Expandida of the Laboral in Gijon, curated by José Luis de Vicente, with the help of Fabien Girardin. The aim is to show
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art . hacking . mobile . net . privacy
Buttons, shooting somewhere else
When you take a picture, a moment becomes a memory. The memory becomes matter. Publishing photos, through services like Flickr, has added a new dimension to the photographic process for many people. Publishing a picture on the web becomes an intentional part of the shooting process. By
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book . hacking . hacktivism . net . privacy . software
edited by Konrad Becker and Felix Stalder - Deep Search: The Politics of Search Beyond Google
Studienverlag & Transaction Publishers, ISBN 978-3706547956, Austria, 2009, EnglishThe centrality of search engines in everyday lives has recently been focused on by different institutions involved in the critical analysis of Internet culture. Among them are the Institute of Network Cultures in Amsterdam, and the World-Information Institute in Vienna that organized the Deep Search conference, ... [ Continue ] email this | + facebook | + twitter | TrackBacks (0) |
art . hacktivism . performance . privacy
How to build a fake Google Street View car and keep your data
Google Street View is an application that allows users to virtually dive into Google's popular Maps feature and travel around at street level. It uses millions of 3D photographs to give users a 360° horizontal and 290° vertical view of their location. The photos are typically taken via car-mounted
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book . hacktivism . privacy . software
edited by Wolfgang Sützl & Geoff Cox - Creating Insecurity: art and culture in the age of security, DATA browser 04
Autonomedia, ISBN 978-1570272059, UK, 2009, EnglishThe 4th anthology of texts realized by the DATA Browser series editorial group, is focused on "security", an ambiguous yet extremely popular concept, exploited by governments in order to claim its necessity, programmability and the consequent need to build a security infrastructure. The artificiality of this approach and the dangerous consequences of the current unilateral concern for security inspired the ... [ Continue ] email this | + facebook | + twitter | TrackBacks (0) |
art . privacy . visual
Stolen Moments, a human webcam in New York
The process of getting used to being constantly watched and monitored by webcams, social networks and unscrupulous invaders of our privacy has certainly had an effect on our expressions and movements. Our everyday gestures have necessarily taken on an artificial quality due to the feeling of
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Wicked Style
nordiC (Dissonanze)
Virtual Light (1995)
Internet Underground Guide (1995) Suoni Futuri Digitali (2000)
Tecnologie di Liberazione (2001)
Resistant Maps (2006)
Wicked Style
nordiC (Dissonanze)
Virtual Light (1995)
Internet Underground Guide (1995) Suoni Futuri Digitali (2000)
Tecnologie di Liberazione (2001)
Resistant Maps (2006)
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editor in chief:
Alessandro Ludovico
assistant editor:
Aurelio Cianciotta Mendizza
contributors:
Josephine Bosma
Ylenia Cafaro
Vito Campanelli
Valentina Culatti
Michael Dieter
Daphne Dragona
Matteo Marangoni
Rachel O' Dwyer
Paolo Pedercini
Paul Prudence
Benedetta Sabatini
production and promotion:
Chiara Ciociola
infrastructure design
and consulting:
Paolo Cirio
translations:
Roberto Orsini
Giuseppe Santoiemma
technical consulting:
Paolo Mangraviti
Alessandro Ludovico
assistant editor:
Aurelio Cianciotta Mendizza
contributors:
Josephine Bosma
Ylenia Cafaro
Vito Campanelli
Valentina Culatti
Michael Dieter
Daphne Dragona
Matteo Marangoni
Rachel O' Dwyer
Paolo Pedercini
Paul Prudence
Benedetta Sabatini
production and promotion:
Chiara Ciociola
infrastructure design
and consulting:
Paolo Cirio
translations:
Roberto Orsini
Giuseppe Santoiemma
technical consulting:
Paolo Mangraviti
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We Make Money Not Art
Runme.org
AHA
Networked_performance
uCan
Interferenze Festival
GWEI
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AHA
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uCan
Interferenze Festival
GWEI
Amazon Noir
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An aseptic space. One white table and on it a printed directory, accompanied by an apparently normal looking telephone. It would seem the right environment to make a call. And calls are, in fact, made. The phone operates automatically, dialling random numbers from the many listed in the phone book
...
A high density of monitoring devices crowds the space of the installation "
In a very short time since they appeared, digital photo frames have become so popular that they now regularly invite aesthetic experimentation. In his recent project
Kyle McDonald is well-known for exploring the boundaries of public and private space in our post-privacy world. With his
Niklas Roy plays with the concept of privacy in his recent interactive installation
"Images are meant to render the world accessible and imaginable to man" Villem Flusser wrote in his well-known 1983 book "Towards a Philosophy of Photography" which analyzed the transition from prehistoric, traditional images to posthistorical, technical ones. No longer formed by "authors", but by anyone who operates a camera or other apparatus, technical images have been opening windows to
...
We're accustomed to being under surveillance. We've taken for granted that cameras are everywhere "for our own safety". And we don't care anymore of being recorded in the street 30, 60 or 100 times (or even more) everyday. How has it happened? One of the reasons is that all these cameras around us are "passive". They're there, they record their memory, then they delete
... 
When you take a picture, a moment becomes a memory. The memory becomes matter. Publishing photos, through services like Flickr, has added a new dimension to the photographic process for many people. Publishing a picture on the web becomes an intentional part of the shooting process. By
...
Studienverlag & Transaction Publishers, ISBN 978-3706547956, Austria, 2009, English
Google Street View is an application that allows users to virtually dive into Google's popular Maps feature and travel around at street level. It uses millions of 3D photographs to give users a 360° horizontal and 290° vertical view of their location. The photos are typically taken via car-mounted
...
Autonomedia, ISBN 978-1570272059, UK, 2009, English
The process of getting used to being constantly watched and monitored by webcams, social networks and unscrupulous invaders of our privacy has certainly had an effect on our expressions and movements. Our everyday gestures have necessarily taken on an artificial quality due to the feeling of
... 
