. sound
audio art . experimental . free form
Cd - Port
Eccentric, reverberating frequencies, unconventional propagations and resonances, environmental auditory influences and field recordings come together in a work that insists on unusual topological transformations that are suspended in an imaginative crescendo, poised between natural senses and mechanical artifices. Synthetic excursions and slightly inconsistent compositional envelopes, consumed with digital and free-form stylization are presented in a vivid, communicative and effervescent way (to be expected at these latitudes of extreme experimentation). Environmental and natural sounds, hyper-vivid vibrations with unusual attitudes are classified stochastically and then immediately guided back into a succession of drones, clicks and spurious resonances, finally tamed in more sensitive vibrations and "new acoustic" passages. We are immersed in fringe areas, however, that less experienced listeners may normalize under the banner of ‘extreme’, but which to more sophisticated ears can indicate the presence of an acute sensitivity, reactive to the incorporeal and to the many "gray" areas that permeate our reception.
Aurelio Cianciotta
email this | + facebook | + twitter | TrackBacks (0)
Acoustic Bend - Evala
Cd - PortEccentric, reverberating frequencies, unconventional propagations and resonances, environmental auditory influences and field recordings come together in a work that insists on unusual topological transformations that are suspended in an imaginative crescendo, poised between natural senses and mechanical artifices. Synthetic excursions and slightly inconsistent compositional envelopes, consumed with digital and free-form stylization are presented in a vivid, communicative and effervescent way (to be expected at these latitudes of extreme experimentation). Environmental and natural sounds, hyper-vivid vibrations with unusual attitudes are classified stochastically and then immediately guided back into a succession of drones, clicks and spurious resonances, finally tamed in more sensitive vibrations and "new acoustic" passages. We are immersed in fringe areas, however, that less experienced listeners may normalize under the banner of ‘extreme’, but which to more sophisticated ears can indicate the presence of an acute sensitivity, reactive to the incorporeal and to the many "gray" areas that permeate our reception.
Aurelio Cianciotta
email this | + facebook | + twitter | TrackBacks (0)
« Masayoshi Fujita & Jan Jelinek - Bird, Lake, Objects | Main | Christian Galarreta - Computer Music Is Dead »
. random from the bookshop

edited by Jillian Hamilton
Australasian CRC for Interaction Design
ISBN 0977597806
. legal
Neural, registered in the Bari Court 3728/2009

This weblog is licensed under a
Creative Commons License.
This weblog is licensed under a
Creative Commons License.
. extra services
. printed magazine
Subscribe 1 year / 3 issues + extra: only 34.90 Euro (EU)
Current Issue | Back Issues | Stores
Subscribe 1 year / 3 issues + extra: only 34.90 Euro (EU)Current Issue | Back Issues | Stores


